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Sunday, March 15, 2009
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BOOKS IN MY LIFE
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I grew up in time of war – two wars, as a matter of fact: World War II and the Greek Civil War. I grew up in a house without books. It was only at the age of fourteen that I read my first book – WITH FIRE AND SWORD by the Polish Nobelist Henrik Sienkiewicz: a historical novel of WAR-AND-PEACE dimensions, but less Tolstoy and more Dumas pére and Errol Flynn. The only thing I remember about it today is the name of the central character, Pan Mikael Volodiovsky. I read it in an Armenian translation done by a Mekhitarist monk. At one time the Mekhitarists were formidable translators and the most prolific of them all was Arsen Ghazikian, who single-handed translated all the epic poems of the Western canon from Homer to THE SONG OF ROLAND, among many other Greek and Latin classics. Two of his students, Padre Elia (Yeghia) Pachikian and Mesrob Janashian, were my teachers. Janashian was also the author of a highly detailed and competent HISTORY OF MODERN WEST-ARMENIAN LITERATURE.
After FIRE AND SWORD I chanced on a thin paperback, Dostoevsky's THE GAMBLER, and was hooked on the Russians. What fascinated me about Dostoevsky was the fact that his characters spoke their mind, held nothing back, refused to stand on ceremony or consider what others may think of them. In that sense, they were more authentic human beings than anyone I had ever met. Chekhov was different. His characters impressed me as people I had known or could have known. There was nothing bizarre or incomprehensible about them.
The Russians, and I include Tolstoy and Turgenev, made me realize that I wasn't alone, and whenever I try to reread them now I also realize that you can't go home again.
#
Monday, March 16, 2009
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THOMAS MANN
***********************************************
On a visit to Venice, a middle-aged German writer falls for a beautiful Polish boy on the beach, postpones his return home, and dies of cholera. (As a youth, Mann idolized Wagner, who also died in Venice.) I first read DEATH IN VENICE in Venice, at the age of fifteen, in an Italian translation. It left me cold. Much ado about nothing, I thought. Ten years later I read it again, this time in an English translation, with the same result. But I refused to give up on Mann and with CONFESSIONS OF FELIX KRULL, CONFIDENCE MAN I got religion. Immediately after I read and reread THE MAGIC MOUNTAIN, JOSEPH AND HIS BROTHERS, and DOKTOR FAUSTUS the way a born-again reads and rereads the Bible.
Two things fascinated me about Mann: his subtle humor and his expertise on a wide range of subjects. When he expanded the Biblical story of Joseph into a four- volume, 2000-page long novel, for instance, he acquired an entire library on both the Bible and ancient Egypt. To write about the life of a modern composer, he befriended and pumped several famous musicologists, composers, and conductors, among them Adorno, Schoenberg, and Bruno Walter (who happened to be a next-door neighbor as well his daughter's secret lover). In politics and philosophy, he could argue both sides of any issue – an advantage over Shaw, Sartre, and Nabokov who took sides with disastrous results -- Shaw and Sartre in their support of totalitarian regimes, and Nabokov in his defense of the war in Vietnam.
Mann has had his share of critics: Shaw ignored him, Sartre and Nabokov dismissed him as a bourgeois, Brecht called him “a short-story writer," Stefan Zweig thought he was long-winded, Furtwaengler accused him of changing nationalities as if they were shirts, and Hitler wanted him assassinated -- some said because THE MAGIC MOUNTAIN outsold MEIN KAMPF.
*
Mann on Hitler:
“Thanks to his own baseness, he has indeed succeeded in exposing much of our own.”
*
“The totalitarian statesman is the founder of a religion; or, more accurately, the founder of an infallible, inquisitorial system of dogma that forcibly suppresses every heresy while itself resting on legend – a system to which truth must austerely submit.”
*
Mann on what it takes:
“The creative genius must first become a world in itself, in which only discoveries and not inventions, remain to be made.”
*
“The intellectual man is almost as much interested in painful truths as the fool is in those which flatter him.”
#
Tuesday, March 17, 2009
***********************************************
ARNOLD J. TOYNBEE
***********************************************
When asked by a journalist what had motivated him to dedicate most of his adult life to writing his monumental multi-volume STUDY OF HISTORY, Toynbee replied with a single word: “Curiosity.”
Of the twelve volumes, my favorite is the 12th, subtitled RECONSIDERATIONS. Here Toynbee replies to his critics – an astonishingly large number of them from all over the world. Sometimes he is willing to admit error, at others he reaffirms his position and goes further. Case in point: “Spate's failure to keep his knowledge of the Jordan valley's history up to date would have been venial if the tone of his criticism had not been supercilious. However, my concern with Spate is not to return his fire but to follow out the second thoughts into which I have been stung by the stimulating shot with which he has peppered me.”
One reason I enjoy reading and rereading RECONSIDERATIONS is its quintessentially unArmenian tone of tolerance and acceptance of dissent as worthy of consideration.
Toynbee's general theory of the rise and fall of civilizations and empires goes something like this: civilizations grow by responding successfully to challenges under the leadership of creative minorities, and decline when the leaders fail to react creatively.” In his own words: “A growing civilization can be defined as one which the components of its culture [economic, political, artistic, and scientific] are in harmony with one another; and, on the same principle, a disintegrating civilization can be defined as one in which these elements have fallen into discord.”
All general theories are vulnerable to contradiction and criticism. Plato's were criticized by his student, Aristotle, Marx's by Keynes, Spengler's by Jacques Maritain and Teilhard de Chardin, and Toynbee's by a wide range of specialists who saw in him an interloper who had dared to exploit their findings to serve his own alien agenda.
In my view, Toynbee's greatest merit is not his general theory but the many brilliant observations on the human condition. Random samples follows:
*
On racial superiority:
“The xxxs, the Japanese, the British 'sahibs', the Nazis...all seem to me to have been chosen by no one except themselves.”
*
On critics:
“Whenever a reviewer is tempted to treat an author as a dart-board he should remember that the missile which his hand is itching to lance is not a dart but a boomerang.”
*
On chauvinism:
“Self-idolization is most flagrantly in evidence, not as a self-adjudicated reward for success, but as a self-exculpating compensation for failure.” (I think of these lines whenever I hear one of our charlatans bragging about our celebrities and achievements.)
*
“The egocentric illusion has always beset every living organism in which an ego has ever asserted itself.”
*
On pessimism and optimism:
“The truth is that Valéry's pessimism and Gibbon's optimism are, both alike, rationalizing of feelings that are irrationally subjective.”
#
Wednesday, March 18, 2009
***********************************************
REFLECTIONS
***********************************************
Whether God exists or not is not the problem. The problem, the real problem, the existential problem is placing as great a distance between us and the Devil as possible. Likewise, knowing the truth is not the problem. The problem is recognizing a deceiver when we see one.
*
Because I criticize Armenians I am accused of anti-Armenianism; and because some Turks quote me, I am accused of pro-Ottomanism. I may be wrong about everything but I have no doubt whatever in my mind that no one, not even the very best among us, are beyond criticism. And not to criticize in the name of patriotism is to support the corrupt and the incompetent, and when things go wrong, to blame the enemy who probably was also duped into supporting lying riffraff.
*
Among us, politics (or the art of the possible) is confused with ideology (the art of the impossible), and inevitably, ideology is confused with theology (the art of the incomprehensible), and theology is confused with pathology. Some day, in a future progressive and enlightened Armenian democracy, if our partisans are arrested and put on trial, they will be absolutely right in pleading not guilty by reason of insanity.
*
As solitary creatures, Armenian writers have been perennial victims of political parties and their satellite institutions, all of which have a tendency to divide their fellow Armenians into friends and enemies or yes-men and dissidents. As for dialogue: who has ever heard of such a thing in an Ottoman or Soviet environment, or, for that matter, in a crypto-Ottoman or neo-Stalinist context?
#
***********************************************
BOOKS IN MY LIFE
***********************************************
I grew up in time of war – two wars, as a matter of fact: World War II and the Greek Civil War. I grew up in a house without books. It was only at the age of fourteen that I read my first book – WITH FIRE AND SWORD by the Polish Nobelist Henrik Sienkiewicz: a historical novel of WAR-AND-PEACE dimensions, but less Tolstoy and more Dumas pére and Errol Flynn. The only thing I remember about it today is the name of the central character, Pan Mikael Volodiovsky. I read it in an Armenian translation done by a Mekhitarist monk. At one time the Mekhitarists were formidable translators and the most prolific of them all was Arsen Ghazikian, who single-handed translated all the epic poems of the Western canon from Homer to THE SONG OF ROLAND, among many other Greek and Latin classics. Two of his students, Padre Elia (Yeghia) Pachikian and Mesrob Janashian, were my teachers. Janashian was also the author of a highly detailed and competent HISTORY OF MODERN WEST-ARMENIAN LITERATURE.
After FIRE AND SWORD I chanced on a thin paperback, Dostoevsky's THE GAMBLER, and was hooked on the Russians. What fascinated me about Dostoevsky was the fact that his characters spoke their mind, held nothing back, refused to stand on ceremony or consider what others may think of them. In that sense, they were more authentic human beings than anyone I had ever met. Chekhov was different. His characters impressed me as people I had known or could have known. There was nothing bizarre or incomprehensible about them.
The Russians, and I include Tolstoy and Turgenev, made me realize that I wasn't alone, and whenever I try to reread them now I also realize that you can't go home again.
#
Monday, March 16, 2009
***********************************************
THOMAS MANN
***********************************************
On a visit to Venice, a middle-aged German writer falls for a beautiful Polish boy on the beach, postpones his return home, and dies of cholera. (As a youth, Mann idolized Wagner, who also died in Venice.) I first read DEATH IN VENICE in Venice, at the age of fifteen, in an Italian translation. It left me cold. Much ado about nothing, I thought. Ten years later I read it again, this time in an English translation, with the same result. But I refused to give up on Mann and with CONFESSIONS OF FELIX KRULL, CONFIDENCE MAN I got religion. Immediately after I read and reread THE MAGIC MOUNTAIN, JOSEPH AND HIS BROTHERS, and DOKTOR FAUSTUS the way a born-again reads and rereads the Bible.
Two things fascinated me about Mann: his subtle humor and his expertise on a wide range of subjects. When he expanded the Biblical story of Joseph into a four- volume, 2000-page long novel, for instance, he acquired an entire library on both the Bible and ancient Egypt. To write about the life of a modern composer, he befriended and pumped several famous musicologists, composers, and conductors, among them Adorno, Schoenberg, and Bruno Walter (who happened to be a next-door neighbor as well his daughter's secret lover). In politics and philosophy, he could argue both sides of any issue – an advantage over Shaw, Sartre, and Nabokov who took sides with disastrous results -- Shaw and Sartre in their support of totalitarian regimes, and Nabokov in his defense of the war in Vietnam.
Mann has had his share of critics: Shaw ignored him, Sartre and Nabokov dismissed him as a bourgeois, Brecht called him “a short-story writer," Stefan Zweig thought he was long-winded, Furtwaengler accused him of changing nationalities as if they were shirts, and Hitler wanted him assassinated -- some said because THE MAGIC MOUNTAIN outsold MEIN KAMPF.
*
Mann on Hitler:
“Thanks to his own baseness, he has indeed succeeded in exposing much of our own.”
*
“The totalitarian statesman is the founder of a religion; or, more accurately, the founder of an infallible, inquisitorial system of dogma that forcibly suppresses every heresy while itself resting on legend – a system to which truth must austerely submit.”
*
Mann on what it takes:
“The creative genius must first become a world in itself, in which only discoveries and not inventions, remain to be made.”
*
“The intellectual man is almost as much interested in painful truths as the fool is in those which flatter him.”
#
Tuesday, March 17, 2009
***********************************************
ARNOLD J. TOYNBEE
***********************************************
When asked by a journalist what had motivated him to dedicate most of his adult life to writing his monumental multi-volume STUDY OF HISTORY, Toynbee replied with a single word: “Curiosity.”
Of the twelve volumes, my favorite is the 12th, subtitled RECONSIDERATIONS. Here Toynbee replies to his critics – an astonishingly large number of them from all over the world. Sometimes he is willing to admit error, at others he reaffirms his position and goes further. Case in point: “Spate's failure to keep his knowledge of the Jordan valley's history up to date would have been venial if the tone of his criticism had not been supercilious. However, my concern with Spate is not to return his fire but to follow out the second thoughts into which I have been stung by the stimulating shot with which he has peppered me.”
One reason I enjoy reading and rereading RECONSIDERATIONS is its quintessentially unArmenian tone of tolerance and acceptance of dissent as worthy of consideration.
Toynbee's general theory of the rise and fall of civilizations and empires goes something like this: civilizations grow by responding successfully to challenges under the leadership of creative minorities, and decline when the leaders fail to react creatively.” In his own words: “A growing civilization can be defined as one which the components of its culture [economic, political, artistic, and scientific] are in harmony with one another; and, on the same principle, a disintegrating civilization can be defined as one in which these elements have fallen into discord.”
All general theories are vulnerable to contradiction and criticism. Plato's were criticized by his student, Aristotle, Marx's by Keynes, Spengler's by Jacques Maritain and Teilhard de Chardin, and Toynbee's by a wide range of specialists who saw in him an interloper who had dared to exploit their findings to serve his own alien agenda.
In my view, Toynbee's greatest merit is not his general theory but the many brilliant observations on the human condition. Random samples follows:
*
On racial superiority:
“The xxxs, the Japanese, the British 'sahibs', the Nazis...all seem to me to have been chosen by no one except themselves.”
*
On critics:
“Whenever a reviewer is tempted to treat an author as a dart-board he should remember that the missile which his hand is itching to lance is not a dart but a boomerang.”
*
On chauvinism:
“Self-idolization is most flagrantly in evidence, not as a self-adjudicated reward for success, but as a self-exculpating compensation for failure.” (I think of these lines whenever I hear one of our charlatans bragging about our celebrities and achievements.)
*
“The egocentric illusion has always beset every living organism in which an ego has ever asserted itself.”
*
On pessimism and optimism:
“The truth is that Valéry's pessimism and Gibbon's optimism are, both alike, rationalizing of feelings that are irrationally subjective.”
#
Wednesday, March 18, 2009
***********************************************
REFLECTIONS
***********************************************
Whether God exists or not is not the problem. The problem, the real problem, the existential problem is placing as great a distance between us and the Devil as possible. Likewise, knowing the truth is not the problem. The problem is recognizing a deceiver when we see one.
*
Because I criticize Armenians I am accused of anti-Armenianism; and because some Turks quote me, I am accused of pro-Ottomanism. I may be wrong about everything but I have no doubt whatever in my mind that no one, not even the very best among us, are beyond criticism. And not to criticize in the name of patriotism is to support the corrupt and the incompetent, and when things go wrong, to blame the enemy who probably was also duped into supporting lying riffraff.
*
Among us, politics (or the art of the possible) is confused with ideology (the art of the impossible), and inevitably, ideology is confused with theology (the art of the incomprehensible), and theology is confused with pathology. Some day, in a future progressive and enlightened Armenian democracy, if our partisans are arrested and put on trial, they will be absolutely right in pleading not guilty by reason of insanity.
*
As solitary creatures, Armenian writers have been perennial victims of political parties and their satellite institutions, all of which have a tendency to divide their fellow Armenians into friends and enemies or yes-men and dissidents. As for dialogue: who has ever heard of such a thing in an Ottoman or Soviet environment, or, for that matter, in a crypto-Ottoman or neo-Stalinist context?
#