Poetry Corner

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Re: Poetry Corner

Green Ways

Let me not say it, let me not reveal
How like a god my heart begins to climb
The trellis of the crystal
In the rose-green moon;
Let me not say it, let me leave untold
This legend, while the nights snow emerald.

Let me not say it, let me not confess
How in the leaflight of my green-celled world
In self's pre-history
The blind moulds kiss;
Let me not say it, let me but endure
This ritual like feather and like star.

Let me proclaim it -- human be my lot! --
How from my pit of green horse-bones
I turn, in a wilderness of sweat,
To the moon-breasted sibylline,
And lift this garland, Danger, from her throat
To blaze it in the foundries of the night.

-- Stanley Kunitz

THE ECONOMIST’S SONG

Come sit beneath the tariff walls
Among the scuttling unemployed,
The rodent pack; sing madrigals
Of Demos and the Cyprian maid
Bewildered by the golden grain,
While ships with peril in their hulls,
Deploying on the lines of trade,
Transport the future of gangrene.

-- Stanley Kunitz

The Snakes of September

All summer I heard them
rustling in the shrubbery,
outracing me from tier
to tier in my garden,
a whisper among the viburnums,
a signal flashed from the hedgerow,
a shadow pulsing
in the barberry thicket.
Now that the nights are chill
and the annuals spent,
I should have thought them gone,
in a torpor of blood
slipped to the nether world
before the sickle frost.
Not so. In the deceptive balm
of noon, as if defiant of the curse
that spoiled another garden,
these two appear on show
through a narrow slit
in the dense green brocade
of a north-country spruce,
dangling head-down, entwined
in a brazen love-knot.
I put out my hand and stroke
the fine, dry grit of their skins.
After all,
we are partners in this land,
co-signers of a covenant.
At my touch the wild
braid of creation
trembles.

-- Stanley Kunitz

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Re: Poetry Corner

Hollywood Elegies

I
The village of Hollywood was planned according to the notion
People in these parts have of heaven. In these parts
They have come to the conclusion that God
Requiring a heaven and a hell, didn't need to
Plan two establishments but
Just the one: heaven. It
Serves the unprosperous, unsuccessful
As hell.

II
By the sea stand the oil derricks. Up the canyons
The gold prospectors' bones lie bleaching. Their sons
Built the dream factories of Hollywood.
The four cities
Are filled with the oily smell
Of films.

III
The city is named after the angels
And you meet angels on every hand
They smell of oil and wear golden pessaries
And, with blue rings round their eyes
Feed the writers in their swimming pools every morning.

IV
Beneath the green pepper trees
The musicians play the w-hore, two by two
With the writers. Bach
Has written a Strumpet Voluntary. Dante wriggles
His shrivelled bottom.

V
The angels of Los Angeles
Are tired out with smiling. Desperately
Behind the fruit stalls of an evening
They buy little bottles
Containing sex odours.

VI
Above the four cities the fighter planes
Of the Defense Department circle at a great height
So that the stink of greed and poverty
Shall not reach them

-- Bertolt Brecht

The Swamp

I saw many friends, and among them the friend I loved most
Helplessly sink into the swamp
I pass by daily.

And a drowning was not over
In a single morning. Often it took
Weeks; this made it more terrible.
And the memory of our long talks together
About the swamp, that already
Had claimed so many.

Helpless I watched him, leaning back
Covered with leeches
In the shimmering
Softly moving slime:
Upon the sinking face
The ghastly
Blissful smile.

-- Bertolt Brecht

Laughing Song

When the green woods laugh with the voice of joy,
And the dimpling stream runs laughing by;
When the air does laugh with our merry wit,
And the green hill laughs with the noise of it;

when the meadows laugh with lively green,
And the grasshopper laughs in the merry scene,
When Mary and Susan and Emily
With their sweet round mouths sing 'Ha, ha he!'

When the painted birds laugh in the shade,
Where our table with cherries and nuts is spread:
Come live, and be merry, and join with me,
To sing the sweet chorus of 'Ha, ha, he!'

-- William Blake

To the Muses

Whether on Ida's shady brow,
Or in the chambers of the East,
The chambers of the sun, that now
From ancient melody have ceas'd;

Whether in Heav'n ye wander fair,
Or the green corners of the earth,
Or the blue regions of the air,
Where the melodious winds have birth;

Whether on crystal rocks ye rove,
Beneath the bosom of the sea
Wand'ring in many a coral grove,
Fair Nine, forsaking Poetry!

How have you left the ancient love
That bards of old enjoy'd in you!
The languid strings do scarcely move!
The sound is forc'd, the notes are few!

-- William Blake

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Re: Poetry Corner

Contemplating Hell

Contemplating Hell, as I once heard it,
My brother Shelley found it to be a place
Much like the city of London. I,
Who do not live in London, but in Los Angeles,
Find, contemplating Hell, that is
Must be even more like Los Angeles.

Also in Hell,
I do not doubt it, there exist these opulent gardens
With flowers as large as trees, wilting, of course,
Very quickly, if they are not watered with very expensive water. And fruit markets
With great leaps of fruit, which nonetheless

Possess neither scent nor taste. And endless trains of autos,
Lighter than their own shadows, swifter than
Foolish thoughts, shimmering vehicles, in which
Rosy people, coming from nowhere, go nowhere.
And houses, designed for happiness, standing empty,
Even when inhabited.

Even the houses in Hell are not all ugly.
But concern about being thrown into the street
Consumes the inhabitants of the villas no less
Than the inhabitants of the barracks.

-- Bertolt Brecht

The Mask of Evil

On my wall hangs a Japanese carving,
The mask of an evil demon, decorated with gold lacquer.
Sympathetically I observe
The swollen veins of the forehead, indicating
What a strain it is to be evil.

-- Bertolt Brecht

Lighting

The Lighting

Electrician
Give us light on our stage
How can we disclose
We playwrights and actors
Images to the world in semi-darkness ?
The sleepy twilight sends to sleep.
Yet we need our watchers wide awake.
Indeed we need them vigilant.
Let them dream in brightness.
The little bit
Of night that's wanted now and then
Our lamps and moons can indicate.
And we with our acting too can keep
The times of day apart.
The Elizabethan wrote us
Verses on a heath at evening
Which no lights will ever reach
Nor even the heath itself embrace.
Therefore flood full on
What we have made with work
That the watcher may see
The indignant peasant
Sit down upon the soil of Tavastland
As though it were her own.

-- Bertolt Brecht

Bad Time For Poetry

Yes, I know: only the happy man
Is liked. His voice is good
To Hear. His face is handsome.

The crippled tree in the yard
Shows that the soil is poor, yet
The passers-by abuse it for being crippled
And rightly so.

The green boats and the dancing sails on the Sound
Go unseen. Of it all
I see only the torn nets of the fishermen.
Why do I only record
That a village woman aged forty walks with a stoop?
The girls' breasts
Are as warm as ever.

In my poetry a rhyme
Would seem to me almost insolent.

Inside me contend
Delight at the apple tree in blossom
And horror at the house-painter's speeches.
But only the second
Drives me to my desk.

-- Bertolt Brecht

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Re: Poetry Corner

There are few occupations, said Me-Ti, which so damage a man's morality than the occupation with morality.
I hear people say: One must love truth, one must keep one's promises, one must fight for the good. But the
trees do not say: one must be green, one must drop the fruit vertically to the earth, one must rustle the
leaves when the wind passes.

- Brecht, Bertolt. Werke, XII, p. 504.

--------------------------------------

General, your tank is a powerful vehicle.
It smashes down forests and crushes men.
But it has one defect:
It needs a driver.

General, your bomber is powerful.
It flies faster than a storm
and carries more than an elephant.
But it has one defect:
It needs a mechanic.

General, man is very useful.
He can fly and he can kill.
But he has one defect:
He can think.

-- Bertolt Brecht

-----------------------------------------

Of Sprinkling the Garden

O Sprinkling the Garden, to enliven the green!
Watering the thirsty trees. Give them more than enough
And do not forget the shrubs
Even those without berries, the exhausted
Niggardly ones. And do not neglect
The weeds growing between the flowers, they too
Are thirty. Not water only
The fresh grass or only the scorched
Even the naked soil you must refresh.

-- Bertolt Brecht

California Autumn

I
In my garden
Are nothing but evergreens. If I want to see autumn
I drive to my friends house in the hills. There
I can stand five minutes and see a tree
Stripped of its foliage, and foliage stripped of its trunk.

II
I saw a big autumn leaf which the wind
Was driving along the road, and I thought: tricky
to reckon that leaf's future course.

-- Bertolt Brecht

Reading the Paper while Brewing the Tea

In the early hours I read in the paper of epoch-making projects
On the part of pope and sovereigns, bankers and oil barons.
With my other eye I watch
The pot with water for my tea
The way it clouds and starts to bubble and clears again
And overflowing the pot quenches the fire.

-- Bertolt Brecht

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Re: Poetry Corner

Green Grow The Rashes

Green grow the rashes, O!
Green grow the rashes, O!
The sweetest hours that e'er I spend,
Are spent amang the lasses, O!

There's nought but care on every han'
In every hour that passes, O;
What signifies the life o' man,
An 'twere na for the lasses, O?

The warl'ly race may riches chase,
An' riches still may fly them, O;
An' though at last they catch them fast,
Their hearts can ne'er enjoy them, O.

But gi'e me a canny hour at e'en,
My arms about my dearie, O,
An' warl'ly cares an' warl'ly men
May a' gae tapsalteerie, O!

For you sae douce, ye sneer at this,
Ye're nought but senseless asses, O;
The wisest man the warl' e'er saw,
He dearly loved the lasses, O.

Auld Nature swears the lovely dears
Her noblest work she classes, O;
Her 'prentice han' she tried on man,
An' then she made the lasses, O.

-- Robert Burns

My Heart's In The Highlands

Farewell to the Highlands, farewell to the North,
The birth-place of Valour, the country of Worth;
Wherever I wander, wherever I rove,
The hills of the Highlands for ever I love.

My heart's in the Highlands, my heart is not here;
My heart's in the Highlands a-chasing the deer;
A-chasing the wild-deer, and following the roe,
My heart's in the Highlands wherever I go.

Farewell to the mountains high covered with snow;
Farewell to the straths and green valleys below;
Farewell to the forests and wild-hanging woods;
Farewell to the torrents and loud-pouring floods.

My heart's in the Highlands, my heart is not here;
My heart's in the Highlands a-chasing the deer;
A-chasing the wild-deer, and following the roe,
My heart's in the Highlands wherever I go.

-- Robert Burns

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Re: Poetry Corner

London Voluntaries IV: Out of the Poisonous East

Out of the poisonous East,
Over a continent of blight,
Like a maleficent Influence released
From the most squalid cellerage of hell,
The Wind-Fiend, the abominable--
The Hangman Wind that tortures temper and light--
Comes slouching, sullen and obscene,
Hard on the skirts of the embittered night;
And in a cloud unclean
Of excremental humours, roused to strife
By the operation of some ruinous change,
Wherever his evil mandate run and range,
Into a dire intensity of life,
A craftsman at his bench, he settles down
To the grim job of throttling London Town.
So, by a jealous lightlessness beset
That might have oppressed the dragons of old time
Crunching and groping in the abysmal slime,
A cave of cut-throat thoughts and villainous dreams,
Hag-rid and crying with cold and dirt and wet,
The afflicted City. prone from mark to mark
In shameful occultation, seems
A nightmare labryrinthine, dim and drifting,
With wavering gulfs and antic heights, and shifting,
Rent in the stuff of a material dark,
Wherein the lamplight, scattered and sick and pale,
Shows like the leper's living blotch of bale:
Uncoiling monstrous into street on street
Paven with perils, teeming with mischance,
Where man and beast go blindfold and in dread,
Working with oaths and threats and faltering feet
Somewhither in the hideousness ahead;
Working through wicked airs and deadly dews
That make the laden robber grin askance
At the good places in his black romance,
And the poor, loitering harlot rather choose
Go pinched and pined to bed
Than lurk and shiver and curse her wretched way
From arch to arch, scouting some threepenny prey.
Forgot his dawns and far-flushed afterglows,
His green garlands and windy eyots forgot,
The old Father-River flows,
His watchfires cores of menace in the gloom,
As he came oozing from the Pit, and bore,
Sunk in his filthily transfigured sides,
Shoals of dishonoured dead to tumble and rot
In the squalor of the universal shore:
His voices sounding through the gruesome air
As from the Ferry where the Boat of Doom
With her blaspheming cargo reels and rides:
The while his children, the brave ships,
No more adventurous and fair,
Nor tripping it light of heel as home-bound brides,
But infamously enchanted,
Huddle together in the foul eclipse,
Or feel their course by inches desperately,
As through a tangle of alleys murder-haunted,
From sinister reach to reach out -- out -- to sea.
And Death the while --
Death with his well-worn, lean, professional smile,
Death in his threadbare working trim--
Comes to your bedside, unannounced and bland,
And with expert, inevitable hand
Feels at your windpipe, fingers you in the lung,
Or flicks the clot well into the labouring heart:
Thus signifying unto old and young,
However hard of mouth or wild of whim,
'Tis time -- 'tis time by his ancient watch -- to part
From books and women and talk and drink and art.
And you go humbly after him
To a mean suburban lodging: on the way
To what or where
Not Death, who is old and very wise, can say:
And you -- how should you care
So long as, unreclaimed of hell,
The Wind-Fiend, the insufferable,
Thus vicious and thus patient, sits him down
To the black job of burking London Town?

-- William Ernest Henley

Stony Grey Soil

O stony grey soil of Monaghan
The laugh from my love you thieved;
You took the gay child of my passion
And gave me your clod-conceived.

You clogged the feet of my boyhood
And I believed that my stumble
Had the poise and stride of Apollo
And his voice my thick tongued mumble.

You told me the plough was immortal!
O green-life conquering plough!
The mandril stained, your coulter blunted
In the smooth lea-field of my brow.

You sang on steaming dunghills
A song of cowards' brood,
You perfumed my clothes with weasel itch,
You fed me on swinish food

You flung a ditch on my vision
Of beauty, love and truth.
O stony grey soil of Monaghan
You burgled my bank of youth!

Lost the long hours of pleasure
All the women that love young men.
O can I stilll stroke the monster's back
Or write with unpoisoned pen.

His name in these lonely verses
Or mention the dark fields where
The first gay flight of my lyric
Got caught in a peasant's prayer.

Mullahinsa, Drummeril, Black Shanco-
Wherever I turn I see
In the stony grey soil of Monaghan
Dead loves that were born for me.

-- Patrick Kavanagh

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Re: Poetry Corner

Romance

Romance, who loves to nod and sing,
With drowsy head and folded wing,
Among the green leaves as they shake
Far down within some shadowy lake,
To me a painted paroquet
Hath been- a most familiar bird-
Taught me my alphabet to say-
To lisp my very earliest word
While in the wild wood I did lie,
A child- with a most knowing eye.

Of late, eternal Condor years
So shake the very Heaven on high
With tumult as they thunder by,
I have no time for idle cares
Through gazing on the unquiet sky.
And when an hour with calmer wings
Its down upon my spirit flings-
That little time with lyre and rhyme
To while away- forbidden things!
My heart would feel to be a crime
Unless it trembled with the strings.

-- Edgar Allan Poe

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Re: Poetry Corner

Kubla Khan (Vision in a Dream: A Fragment)

In Xanadu did Kubla Khan
A stately pleasure-dome decree:
Where Alph, the sacred river, ran
Through caverns measureless to man
Down to a sunless sea.
So twice five miles of fertile ground
With walls and towers were girdled round:
And there were gardens bright with sinuous rills,
Where blossomed many an incense-bearing tree;
And here were forests ancient as the hills,
Enfolding sunny spots of greenery.

But oh ! that deep romantic chasm which slanted
Down the green hill athwart a cedarn cover!
A savage place ! as holy and enchanted
As e'er beneath a waning moon was haunted
By woman wailing for her demon-lover!
And from this chasm, with ceaseless turmoil seething,
As if this earth in fast thick pants were breathing,
A mighty fountain momently was forced:
Amid whose swift half-intermitted burst
Huge fragments vaulted like rebounding hail,
Or chaffy grain beneath the thresher's flail:
And 'mid these dancing rocks at once and ever
It flung up momently the sacred river.
Five miles meandering with a mazy motion
Through wood and dale the sacred river ran,
Then reached the caverns measureless to man,
And sank in tumult to a lifeless ocean:
And 'mid this tumult Kubla heard from far
Ancestral voices prophesying war !
The shadow of the dome of pleasure
Floated midway on the waves;
Where was heard the mingled measure
From the fountain and the caves.
It was a miracle of rare device,
A sunny pleasure-dome with caves of ice!

A damsel with a dulcimer
In a vision once I saw:
It was an Abyssinian maid,
And on her dulcimer she played,
Singing of Mount Abora.
Could I revive within me
Her symphony and song,
To such a deep delight 'twould win me,
That with music loud and long,
I would build that dome in air,
That sunny dome ! those caves of ice!
And all who heard should see them there,
And all should cry, Beware ! Beware!
His flashing eyes, his floating hair!
Weave a circle round him thrice,
And close your eyes with holy dread,
For he on honey-dew hath fed,
And drunk the milk of Paradise.

-- Samuel Taylor Coleridge

http://www.youtube.com/watch?v=AK5EcMxuQzk

Night

The sun descending in the west,
The evening star does shine;
The birds are silent in their nest,
And I must seek for mine.
The moon, like a flower,
In heaven's high bower,
With silent delight
Sits and smiles on the night.

Farewell, green fields and happy groves,
Where flocks have took delight.
Where lambs have nibbled, silent moves
The feet of angels bright;
Unseen they pour blessing,
And joy without ceasing,
On each bud and blossom,
And each sleeping bosom.

They look in every thoughtless nest,
Where birds are covered warm;
They visit caves of every beast,
To keep them all from harm.
If they see any weeping
That should have been sleeping,
They pour sleep on their head,
And sit down by their bed.

When wolves and tigers howl for prey,
They pitying stand and weep;
Seeking to drive their thirst away,
And keep them from the sheep.
But if they rush dreadful,
The angels, most heedful,
Receive each mild spirit,
New worlds to inherit.

And there the lion's ruddy eyes
Shall flow with tears of gold,
And pitying the tender cries,
And walking round the fold,
Saying, 'Wrath, by His meekness,
And, by His health, sickness
Is driven away
From our immortal day.

'And now beside thee, bleating lamb,
I can lie down and sleep;
Or think on Him who bore thy name,
Graze after thee and weep.
For, washed in life's river,
My bright mane for ever
Shall shine like the gold
As I guard o'er the fold.'

-- William Blake

[freakyfreaky]

Re: Poetry Corner

Wild couplings
in the night
two by two
bringing light
in plain view
but out of sight
traveling wildly
shining bright
the steady wind
beneath a kite
wild couplings
in the night

-- Freaky

[freakyfreaky]

Re: Poetry Corner

On Houses

A mason came forth and said, "Speak to us of Houses."

And he answered and said:

Build of your imaginings a bower in the wilderness ere you build a house within the city walls.

For even as you have home-comings in your twilight, so has the wanderer in you, the ever distant and alone.

Your house is your larger body.

It grows in the sun and sleeps in the stillness of the night; and it is not dreamless.

Does not your house dream? And dreaming, leave the city for grove or hilltop?

Would that I could gather your houses into my hand, and like a sower scatter them in forest and meadow.

Would the valleys were your streets, and the green paths your alleys, that you might seek one another through vineyards, and come with the fragrance of the earth in your garments.

But these things are not yet to be.

In their fear your forefathers gathered you too near together. And that fear shall endure a little longer. A little longer shall your city walls separate your hearths from your fields.

And tell me, people of Orphalese, what have you in these houses? And what is it you guard with fastened doors?

Have you peace, the quiet urge that reveals your power?

Have you remembrances, the glimmering arches that span the summits of the mind?

Have you beauty, that leads the heart from things fashioned of wood and stone to the holy mountain?

Tell me, have you these in your houses?

Or have you only comfort, and the lust for comfort, that stealthy thing that enters the house a guest, and becomes a host, and then a master?

Ay, and it becomes a tamer, and with hook and scourge makes puppets of your larger desires.

Though its hands are silken, its heart is of iron.

It lulls you to sleep only to stand by your bed and jeer at the dignity of the flesh.

It makes mock of your sound senses, and lays them in thistledown like fragile vessels.

Verily the lust for comfort murders the passion of the soul, and then walks grinning in the funeral.

But you, children of space, you restless in rest, you shall not be trapped nor tamed.

Your house shall be not an anchor but a mast.

It shall not be a glistening film that covers a wound, but an eyelid that guards the eye.

You shall not fold your wings that you may pass through doors, nor bend your heads that they strike not against a ceiling, nor fear to breathe lest walls should crack and fall down.

You shall not dwell in tombs made by the dead for the living.

And though of magnificence and splendour, your house shall not hold your secret nor shelter your longing.

For that which is boundless in you abides in the mansion of the sky, whose door is the morning mist, and whose windows are the songs and the silences of night.

-- Khalil Gibran

The Home
I paced alone on the road across the field while the sunset was
hiding its last gold like a miser.
The daylight sank deeper and deeper into the darkness, and the
widowed land, whose harvest had been reaped, lay silent.
Suddenly a boy's shrill voice rose into the sky. He traversed
the dark unseen, leaving the track of his song across the hush of
the evening.
His village home lay there at the end of the waste land,
beyond the sugar-cane field, hidden among the shadows of the banana
and the slender areca palm, the coconut and the dark green jack-
fruit trees.
I stopped for a moment in my lonely way under the starlight,
and saw spread before me the darkened earth surrounding with her
arms countless homes furnished with cradles and beds, mother's
hearts and evening lamps, and young lives glad with a gladness that
knows nothing of its value for the world.

-- Rabindranath Tagore