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Poetry Corner

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  • Re: Poetry Corner

    Prell

    Day changes from cannon to morning glory
    her body dances death dances in the prell light

    beads strung out all through Japan's public park's, my head,
    light green eyes of the birds that break branches to build homes there.

    she tore the page, "Varieties of Emeralds"
    from little sister's picture encyclopedia.

    I watched this all with a spike in my vein from a top floor window
    I felt the blood pass from my arm into the glass tube above it...

    then it was rainy bonzais everywhere for me
    and black masses across my brain like planets on solar maps

    paper secrets I used to believe lined the open closet shelves
    her body split and floated into the air forests like astral monkeys.

    It's there, the air the body the soft green day:
    your life cutting throught the light noise of New York City's traffic
    dawn.

    -- Carroll, Jim. Living at the Movies.
    Between childhood, boyhood,
    adolescence
    & manhood (maturity) there
    should be sharp lines drawn w/
    Tests, deaths, feats, rites
    stories, songs & judgements

    - Morrison, Jim. Wilderness, vol. 1, p. 22

    Comment


    • Re: Poetry Corner

      I write poems when I have some free time.

      Here is one:

      Nature, and we

      The rain pours hard
      To some it is a gail
      To me it is a heavenly breeze
      What to some is bitter rain
      Refreshes my soul
      Only the cold air; the blue sky
      To some is torture
      But to me is freedom
      Nature
      Enlightens my being
      Brings voice to my heart
      These are simple pleasures
      But ones that belong
      A forest needs not humanity
      But without it
      What are we?
      But a grain in the sand
      A star in the sky
      A void

      Comment


      • Re: Poetry Corner

        hipeter your poem was ok
        but freakyfreaky's are the best.
        Positive vibes, positive taught

        Comment


        • Re: Poetry Corner

          The Haunted Oak

          Pray why are you so bare, so bare,
          Oh, bough of the old oak-tree;
          And why, when I go through the shade you throw,
          Runs a shudder over me?

          My leaves were green as the best, I trow,
          And sap ran free in my veins,
          But I saw in the moonlight dim and weird
          A guiltless victim's pains

          I bent me down to hear his sigh;
          I shook with his gurgling moan,
          And I trembled sore when they rode away,
          And left him here alone.

          They'd charged him with the old, old crime,
          And set him fast in jail:
          Oh, why does the dog howl all night long,
          And why does the night wind wail?

          He prayed his prayer and he swore his oath,
          And he raised his hand to the sky;
          But the beat of hoofs smote on his ear,
          And the steady tread drew nigh.

          Who is it rides by night, by night,
          Over the moonlit road?
          And what is the spur that keeps the pace,
          What is the galling goad?

          And now they beat at the prison door,
          "Ho, keeper, do not stay!
          We are friends of him whom you hold within,
          And we fain would take him away."

          "From those who ride fast on our heels
          With mind to do him wrong
          They have no care for his innocence,
          And the rope they bear is long."

          They have fooled the jailer with lying words,
          They have fooled the man with lies;
          The bolts unbar, the locks are drawn,
          And the great door open flies.

          Now they have taken him from the jail,
          And hard and fast they ride,
          And the leader laughs low down in his throat,
          As they halt my trunk beside.

          Oh, the judge, he wore a mask of black,
          And the doctor one of white,
          And the minister, with his oldest son,
          Was curiously bedight

          Oh, foolish man, why weep you now?
          'Tis but a little space,
          And the time will come when these shall dread
          The mem'ry of your face.

          I feel the rope against my bark,
          And the weight of him in my grain,
          I feel in the throe of his final woe
          The touch of my own last pain.

          And never more shall leaves come forth
          On a bough that bears the ban;
          I am burned with dread, I am dried and dead,
          From the curse of a guiltless man.

          And ever the judge rides by, rides by,
          And goes to hunt the deer,
          And ever another rides his soul
          In the guise of a mortal fear.

          And ever the man he rides me hard,
          And never a night stays he;
          For I feel his curse a haunted bough
          On the trunk of a haunted tree.

          -- Paul Laurence Dunbar (1872-1906)

          A Man Said to the Universe

          A man said to the univers:
          "Sir, I exist!"
          "However," replied the universe,
          "The fact has not created in me
          A sense of obligation."

          --Stephen Crane (1871-1900)
          Between childhood, boyhood,
          adolescence
          & manhood (maturity) there
          should be sharp lines drawn w/
          Tests, deaths, feats, rites
          stories, songs & judgements

          - Morrison, Jim. Wilderness, vol. 1, p. 22

          Comment


          • Re: Poetry Corner

            If you kill
            all our mothers
            and sisters
            and daughters
            in the end
            we'll have nothing
            left
            so the next time
            you think about
            hurting a woman
            do us all a favor
            and hurt yourself
            instead.
            Between childhood, boyhood,
            adolescence
            & manhood (maturity) there
            should be sharp lines drawn w/
            Tests, deaths, feats, rites
            stories, songs & judgements

            - Morrison, Jim. Wilderness, vol. 1, p. 22

            Comment


            • Re: Poetry Corner

              Originally posted by PepsiAddict View Post
              hipeter your poem was ok
              but freakyfreaky's are the best.
              There are lots of poems...depends on what sort of poem you like. I would recommend Pablo Neruda. Neruda's poems come alive and are full of emotion.

              I'M EXPLAINING A FEW THINGS

              You are going to ask: and where are the lilacs?
              and the poppy-petalled metaphysics?
              and the rain repeatedly spattering
              its words and drilling them full
              of apertures and birds?

              I'll tell you all the news.

              I lived in a suburb,
              a suburb of Madrid, with bells,
              and clocks, and trees.

              From there you could look out
              over Castille's dry face:
              a leather ocean.
              My house was called
              the house of flowers, because in every cranny
              geraniums burst: it was
              a good-looking house
              with it's dogs and children.
              Remember, Raul?
              Eh, Rafel?
              Federico, do you remember
              from under the ground
              my balconies on which
              the light of June drowned flowers in your mouth?
              Brother, my brother!
              Everything
              loud with big voices, the salt of merchandises,
              pile-ups of palpitating bread,
              the stalls of my suburb of Arguelles with it's statue
              like a drained inkwell in a swirl of hake:
              oil flowed into spoons,
              a deep baying
              of feet and hands swelled in the streets,
              metres, litres, the sharp
              measure of life,
              stacked-up fish,
              the texture of roofs with a cold sun in which
              the weather vane falters,
              the fine, frenzied ivory of potatoes,
              wave on wave of tomatoes rolling down the sea.

              And one morning all that was burning,
              one morning the bonfires
              leapt out of the earth
              devouring human beings-
              and from then on fire,
              gunpowder from then on,
              and from then on blood.
              Bandits with planes and Moors,
              bandits with finger-rings and duchesses,
              bandits with black frairs spattering blessings
              came through the sky to kill children
              and the blood of children ran through the streets
              without fuss, like children's blood.

              Jackals that the jackals would despise,
              stones that the dry thistle would bite on and spit out,
              vipers that the vipers would abominate!

              Face to face with you I have seen the blood
              of Spain tower like a tide
              to drown you in one wave
              of pride and knives!

              Treacherous
              generals:
              see my dead house,
              look at broken Spain :
              from every house burning metal flows
              instead of flowers,
              from every socket of Spain
              Spain emerges
              and from every dead child a rifle with eyes,
              and from every crime bullets are born
              which will one day find
              the bull's eye of your hearts.

              And you'll ask: why doesn't his poetry
              speak of dreams and leaves
              and the great volcanoes of his native land?

              Come and see the blood in the streets.
              Come and see
              The blood in the streets.
              Come and see the blood
              In the streets!

              Comment


              • Re: Poetry Corner

                hipeter, are you competing with freakyfreaky?
                Positive vibes, positive taught

                Comment


                • Re: Poetry Corner

                  Discource concerning the art of the most high God

                  For thee is set the bright moon in the sky by night, the world-illuminating sun
                  by day.

                  Like a chamberlain, the heavens spread for thee the carpet of the spring.

                  The wind and snow, the clouds and rain, the roaring thunder and the lightning
                  glittering as a sword - all are His agents, obedient to His word, nourishing the
                  seed thou hast planted in the soil.

                  If thou be athirst, fret not, the clouds bear water on their shoulders.

                  From the bee He giveth thee honey, and manna from the wind; fresh dates from
                  the date tree and the date tree from a seed.

                  For thee are the Sun and the Moon and the Pleiades; the are as lanterns upon the
                  roof of thy house.

                  He bringeth rose from a thorn and musk from a pod; gold from the mine and
                  green leaves from a withered stick.

                  With His own hands He did paint thine eye and eyebrows - one cannot leave
                  one's bosom friends to strangers.

                  Omnipotent is he, nourishing the delicate with His many bounties.

                  Render thanks each moment from thy heart, for gratitude is not the work of
                  the tongue alone.

                  O God, my heart is blood, mine eyes are sore when I behold thy indescribable
                  gifts.

                  -- Saadi, The Bostan.





                  Greensleeves

                  Alas, my love, you do me wrong,
                  To cast me off discourteously.
                  For I have loved you well and long,
                  Delighting in your company.


                  Chorus:
                  Greensleeves was all my joy
                  Greensleeves was my delight,
                  Greensleeves was my heart of gold,
                  And who but my lady greensleeves.


                  Alas, my love, that you should own
                  A heart of wanton vanity,
                  So must I meditate alone
                  Upon your insincerity.


                  (Chorus)

                  Your vows you've broken, like my heart,
                  Oh, why did you so enrapture me?
                  Now I remain in a world apart
                  But my heart remains in captivity.


                  (Chorus)

                  If you intend thus to disdain,
                  It does the more enrapture me,
                  And even so, I still remain
                  A lover in captivity.


                  (Chorus)

                  I have been ready at your hand,
                  To grant whatever you would crave,
                  I have both wagered life and land,
                  Your love and good-will for to have.

                  (Chorus)

                  Thou couldst desire no earthly thing,
                  But still thou hadst it readily.
                  Thy music still to play and sing;
                  And yet thou wouldst not love me.


                  (Chorus)

                  I bought thee kerchiefs for thy head,
                  That were wrought fine and gallantly;
                  I kept thee at both board and bed,
                  Which cost my purse well-favoredly.


                  (Chorus)

                  I bought thee petticoats of the best,
                  The cloth so fine as it might be;
                  I gave thee xxxels for thy chest,
                  And all this cost I spent on thee.


                  (Chorus)

                  Thy smock of silk, both fair and white,
                  With gold embroidered gorgeously;
                  Thy petticoat of sendal right,
                  And these I bought thee gladly.


                  (Chorus)

                  My men were clothed all in green,
                  And they did ever wait on thee;
                  All this was gallant to be seen,
                  And yet thou wouldst not love me.


                  (Chorus)

                  They set thee up, they took thee down,
                  They served thee with humility;
                  Thy foot might not once touch the ground,
                  And yet thou wouldst not love me.


                  (Chorus)

                  'Tis, I will pray to God on high,
                  That thou my constancy mayst see,
                  And that yet once before I die,
                  Thou wilt vouchsafe to love me.


                  (Chorus)

                  Ah, Greensleeves, now farewell, adieu,
                  To God I pray to prosper thee,
                  For I am still thy lover true,
                  Come once again and love me.

                  Greensleeves was all my joy
                  Greensleeves was my delight,
                  Greensleeves was my heart of gold,
                  And who but my lady greensleeves.

                  -- King Henry VIII






                  Saadi

                  Trees in groves,
                  Kine in droves,
                  In ocean sport the scaly herds,
                  Wedge-like cleave the air the birds,
                  To northern lakes fly wind-borne ducks,
                  Browse the mountain sheep in flocks,
                  Men consort in camp and town,
                  But the poet dwells alone.

                  God who gave to him the lyre,
                  Of all mortals the desire,
                  For all breathing men's behoof,
                  Straitly charged him, "Sit aloof;"
                  Annexed a warning, poets say,
                  To the bright premium,—
                  Ever when twain together play,
                  Shall the harp be dumb.
                  Many may come,
                  But one shall sing;
                  Two touch the string,
                  The harp is dumb.
                  Though there come a million
                  Wise Saadi dwells alone.

                  Yet Saadi loved the race of men,—
                  No churl immured in cave or den,—
                  In bower and hall
                  He wants them all,
                  Nor can dispense
                  With Persia for his audience;
                  They must give ear,
                  Grow red with joy, and white with fear,
                  Yet he has no companion,
                  Come ten, or come a million,
                  Good Saadi dwells alone.

                  Be thou ware where Saadi dwells.
                  Gladly round that golden lamp
                  Sylvan deities encamp,
                  And simple maids and noble youth
                  Are welcome to the man of truth.
                  Most welcome they who need him most,
                  They feed the spring which they exhaust:
                  For greater need
                  Draws better deed:
                  But, critic, spare thy vanity,
                  Nor show thy pompous parts,
                  To vex with odious subtlety
                  The cheerer of men's hearts.

                  Sad-eyed Fakirs swiftly say
                  Endless dirges to decay;
                  Never in the blaze of light
                  Lose the shudder of midnight;
                  And at overflowing noon,
                  Hear wolves barking at the moon;
                  In the bower of dalliance sweet
                  Hear the far Avenger's feet;
                  And shake before those awful Powers
                  Who in their pride forgive not ours.
                  Thus the sad-eyed Fakirs preach;
                  "Bard, when thee would Allah teach,
                  And lift thee to his holy mount,
                  He sends thee from his bitter fount,
                  Wormwood; saying, Go thy ways,
                  Drink not the Malaga of praise,
                  But do the deed thy fellows hate,
                  And compromise thy peaceful state.
                  Smite the white breasts which thee fed,
                  Stuff sharp thorns beneath the head
                  Of them thou shouldst have comforted.
                  For out of woe and out of crime
                  Draws the heart a lore sublime."
                  And yet it seemeth not to me
                  That the high gods love tragedy;
                  For Saadi sat in the sun,
                  And thanks was his contrition;
                  For haircloth and for bloody whips,
                  Had active hands and smiling lips;
                  And yet his runes he rightly read,
                  And to his folk his message sped.
                  Sunshine in his heart transferred
                  Lighted each transparent word;
                  And well could honoring Persia learn
                  What Saadi wished to say;
                  For Saadi's nightly stars did burn
                  Brighter than Dschami's day.

                  Whispered the muse in Saadi's cot;
                  O gentle Saadi, listen not,
                  Tempted by thy praise of wit,
                  Or by thirst and appetite
                  For the talents not thine own,
                  To sons of contradiction.
                  Never, sun of eastern morning,
                  Follow falsehood, follow scorning,
                  Denounce who will, who will, deny,
                  And pile the hills to scale the sky;
                  Let theist, atheist, pantheist,
                  Define and wrangle how they list,—
                  Fierce conserver, fierce destroyer,
                  But thou joy-giver and enjoyer,
                  Unknowing war, unknowing crime,
                  Gentle Saadi, mind thy rhyme.
                  Heed not what the brawlers say,
                  Heed thou only Saadi's lay.

                  Let the great world bustle on
                  With war and trade, with camp and town.
                  A thousand men shall dig and eat,
                  At forge and furnace thousands sweat,
                  And thousands sail the purple sea,
                  And give or take the stroke of war,
                  Or crowd the market and bazaar.
                  Oft shall war end, and peace return,
                  And cities rise where cities burn,
                  Ere one man my hill shall climb,
                  Who can turn the golden rhyme;
                  Let them manage how they may,
                  Heed thou only Saadi's lay.
                  Seek the living among the dead:
                  Man in man is imprisoned.
                  Barefooted Dervish is not poor,
                  If fate unlock his bosom's door.
                  So that what his eye hath seen
                  His tongue can paint, as bright, as keen,
                  And what his tender heart hath felt,
                  With equal fire thy heart shall melt.
                  For, whom the muses shine upon,
                  And touch with soft persuasion,
                  His words like a storm-wind can bring
                  Terror and beauty on their wing;
                  In his every syllable
                  Lurketh nature veritable;
                  And though he speak in midnight dark,
                  In heaven, no star; on earth, no spark;
                  Yet before the listener's eye
                  Swims the world in ecstasy,
                  The forest waves, the morning breaks,
                  The pastures sleep, ripple the lakes,
                  Leaves twinkle, flowers like persons be,
                  And life pulsates in rock or tree.
                  Saadi! so far thy words shall reach;
                  Suns rise and set in Saadi's speech.

                  And thus to Saadi said the muse;
                  Eat thou the bread which men refuse;
                  Flee from the goods which from thee flee;
                  Seek nothing; Fortune seeketh thee.
                  Nor mount, nor dive; all good things keep
                  The midway of the eternal deep;
                  Wish not to fill the isles with eyes
                  To fetch thee birds of paradise;
                  On thine orchard's edge belong
                  All the brass of plume and song;
                  Wise Ali's sunbright sayings pass
                  For proverbs in the market-place;
                  Through mountains bored by regal art
                  Toil whistles as he drives his cart.
                  Nor scour the seas, nor sift mankind,
                  A poet or a friend to find;
                  Behold, he watches at the door,
                  Behold his shadow on the floor.
                  Open innumerable doors,
                  The heaven where unveiled Allah pours
                  The flood of truth, the flood of good,
                  The seraph's and the cherub's food;
                  Those doors are men; the pariah kind
                  Admits thee to the perfect Mind.
                  Seek not beyond thy cottage wall
                  Redeemer that can yield thee all.
                  While thou sittest at thy door,
                  On the desert's yellow floor,
                  Listening to the gray-haired crones,
                  Foolish gossips, ancient drones,—
                  Saadi, see, they rise in stature
                  To the height of mighty nature,
                  And the secret stands revealed
                  Fraudulent Time in vain concealed,
                  That blessed gods in servile masks
                  Plied for thee thy household tasks

                  -- Ralph Waldo Emerson
                  Last edited by freakyfreaky; 04-22-2009, 06:45 AM.
                  Between childhood, boyhood,
                  adolescence
                  & manhood (maturity) there
                  should be sharp lines drawn w/
                  Tests, deaths, feats, rites
                  stories, songs & judgements

                  - Morrison, Jim. Wilderness, vol. 1, p. 22

                  Comment


                  • Re: Poetry Corner

                    Originally posted by PepsiAddict View Post
                    hipeter, are you competing with freakyfreaky?
                    No. I showed one of my favourite poets.

                    I don't have many generally into WW1 war poetry, for nature and society I prefer myself.
                    Last edited by hipeter924; 04-22-2009, 01:27 AM.

                    Comment


                    • Re: Poetry Corner

                      My lines do not scan.
                      My words do not rhyme.
                      I've overrun the meter, dramatically,
                      Not for the first time.

                      Am I a poem?
                      I am, if I say I am.

                      Comment

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