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The Shackles of Armenian Art

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  • The Shackles of Armenian Art

    Something, I have noticed with Armenian artists, regardless of the medium of expression they use, is that they feel an obligation to comment on the Armenian Genocide through their art.

    I don’t know how it was, but recently I came across the paintings of a contemporary Armenian female painter (who seemed to be in her early to middle forties). If I remember correctly, her work was abstract. She had at least one piece in whatever series was being shown in the journalistic source I saw that had the Genocide as a theme. Something about the blood and sorrow and pain, etc. Why? Why can’t you just paint something?

    This goes for movies, as well. At this point, I say if we have the resources and drive to make movies (as amateurs or professionals), we should avoid wasting it on the Armenian Genocide. Sounds harsh, I know, but that’s just your sentiment talking. Anyone who does make movies about it risks contributing to the sentiment that the Armenian identity is dependant on the AG. I don't want people to think that nor do I want it to become true.

    We are a talented people and we need to show that the AG is not our collective’s only source of passion. Could you imagine if every film-maker of Irish descent made movies about the IRA? It would be ridiculous. And you already know how annoying it is that every other thing a xxx creates is Holocaust-related (and don’t forget, of course, that they were established before that holocaust). It seems to me that any Armenian that gets a hold of any tool that can potentially reach a non-Armenian decides to thrown in the Genocide almost out of habit.

    And it’s not entirely the fault of the artists. I think that there lingers a fog in the community which silently urges anyone who has those tools to do what I have been observing. That cannot be. We’re trying to do two things at the same time that don’t work well together: (1) establishing ourselves respectably in the world of non-Armenians, and (2) seeking recognition for our recent history. You can’t do that though. It is unfortunate but people do not listen to those for whom they have not yet developed a respect. You may think it unfair that things cannot move quicker in favor of the Armenians but that is how it is.

    Patience is a powerful strategy and it will be effective if we focus on establishing ourselves first. Write stories, make movies, take pictures... but be different and don't preach so much because you could scare people away. Only the choir sticks around for cookies and punch.

  • #2
    NOTE: I am in no way suggesting that the Armenian Genocide has been sufficiently recognized or that historians, politicians, and lobbyists need to stop fighting for it. It is just not the job of Armenian artists to constantly mention it to everyday people.

    Comment


    • #3
      I have to completely agree with you here.

      Comment


      • #4
        i was in armenia this summer and lived with artists during my stay there (my uncle, his wife, and her parents). so i went to several of their exhibits and many art galleries. never once did i see anything that referenced the armenian genocide. anyway, what i'm trying to say is that i think by "armenian artists," you're talking about "diasporan armenian" artists. i think that armenian art is def. at its greatest right now in armenia and its creators address topics that have nothing to do with the genocide.

        Comment


        • #5
          It is usually the diaspora that concerns itself with the Genocide... which makes complete sense. I won't argue with that. But, as a general rule, it is also not the Armenians in Armenia that are trying it impact the international art world with their contributions because they have a less tangible influence on non-Armenians.

          Comment


          • #6
            Seriously, in Steven Zaillian's Searching for Bobby Fischer when the little kid beats the mean kid at the end, it shows Turkey's naivety and how it will one day meet its demise. Ugh, I hate it when they do that!

            I agree with you, Stark.

            Comment


            • #7
              Originally posted by Stark Evade
              Something, I have noticed with Armenian artists, regardless of the medium of expression they use, is that they feel an obligation to comment on the Armenian Genocide through their art.

              I don’t know how it was, but recently I came across the paintings of a contemporary Armenian female painter (who seemed to be in her early to middle forties). If I remember correctly, her work was abstract. She had at least one piece in whatever series was being shown in the journalistic source I saw that had the Genocide as a theme. Something about the blood and sorrow and pain, etc. Why? Why can’t you just paint something?

              This goes for movies, as well. At this point, I say if we have the resources and drive to make movies (as amateurs or professionals), we should avoid wasting it on the Armenian Genocide. Sounds harsh, I know, but that’s just your sentiment talking. Anyone who does make movies about it risks contributing to the sentiment that the Armenian identity is dependant on the AG. I don't want people to think that nor do I want it to become true.

              We are a talented people and we need to show that the AG is not our collective’s only source of passion. Could you imagine if every film-maker of Irish descent made movies about the IRA? It would be ridiculous. And you already know how annoying it is that every other thing a xxx creates is Holocaust-related (and don’t forget, of course, that they were established before that holocaust). It seems to me that any Armenian that gets a hold of any tool that can potentially reach a non-Armenian decides to thrown in the Genocide almost out of habit.

              And it’s not entirely the fault of the artists. I think that there lingers a fog in the community which silently urges anyone who has those tools to do what I have been observing. That cannot be. We’re trying to do two things at the same time that don’t work well together: (1) establishing ourselves respectably in the world of non-Armenians, and (2) seeking recognition for our recent history. You can’t do that though. It is unfortunate but people do not listen to those for whom they have not yet developed a respect. You may think it unfair that things cannot move quicker in favor of the Armenians but that is how it is.

              Patience is a powerful strategy and it will be effective if we focus on establishing ourselves first. Write stories, make movies, take pictures... but be different and don't preach so much because you could scare people away. Only the choir sticks around for cookies and punch.

              Armenian artists - in Armenia or the Diaspora - may occasionally comment on the Armenian Genocide; but I don't know if all - some may - "feel an obligation?"
              Is an occasional comment problematic?
              I have checked the work of many Armenian - Diasporan or not - painters, sculptors and movie makers and I seldom had the impression that the Genocide is a predominant theme. I would say that women are by far a more universal theme. Should they refrain from "feeling an obligation" to "comment" on women?
              What if I find someone else when looking for you? My soul shivers as the idea invades my mind.

              Comment


              • #8
                Originally posted by Stark Evade
                It is usually the diaspora that concerns itself with the Genocide... which makes complete sense. I won't argue with that. But, as a general rule, it is also not the Armenians in Armenia that are trying it impact the international art world with their contributions because they have a less tangible influence on non-Armenians.
                i agree with the first part of your post, but i strongly disagree with the second (based on personal experience, the armenian artists i'm talking about have exhibits all around the world even though they live in armenia, check out www.gevorgyangallery.com for some of their work and where they exhibit).

                Comment


                • #9
                  Originally posted by thedebutante
                  i agree with the first part of your post, but i strongly disagree with the second (based on personal experience, the armenian artists i'm talking about have exhibits all around the world even though they live in armenia, check out www.gevorgyangallery.com for some of their work and where they exhibit).
                  Look, I'm an artist, my father's an artist, and many of my father's acquaintances are artists including some in Armenia. Everyone has there sites set on the big picture, that's no secret. But exhibits around the world are not common and everyone starts locally. People develope themselves locally. And locally, there are no non-Armenians in Armenia. You can't agree with one and disagree with the other because they are so tied together.

                  Comment


                  • #10
                    Originally posted by Siamanto
                    Armenian artists - in Armenia or the Diaspora - may occasionally comment on the Armenian Genocide; but I don't know if all - some may - "feel an obligation?"
                    Is an occasional comment problematic?
                    I have checked the work of many Armenian - Diasporan or not - painters, sculptors and movie makers and I seldom had the impression that the Genocide is a predominant theme. I would say that women are by far a more universal theme. Should they refrain from "feeling an obligation" to "comment" on women?
                    I have a feeling that it is not the Armenian community's goal to get there women internationally recognized but I could be wrong.

                    Comment

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